Animation
Nubbinwood
In the bustling world of cinema, where dreams often seem as elusive as a mirage in the desert, one filmmaker’s journey stands out like a beacon of hope. Tim Granberg, the filmmaker of “Nubbinwood,” shared his remarkable journey from a spark of an idea to the silver screen with me.
“It started out as a character for a live action or for an animated short that I had written,” Granberg reminisced, his eyes alight with passion. “And I needed… I created my own character, the star of a movie that I hope to make someday.”
The origins of “Nubbinwood” lay in Granberg’s unwavering determination to bring his vision to life. Despite initial doubts, he embarked on the arduous task of crafting a feature-length version of his beloved character. “The feature is really an extended version of the short that I had written,” he explained, “and when I had finished the feature, I sat there going, Great, I’ve got a feature script written.”
Granberg’s journey was not without its challenges. As he toiled away as an animator, he faced the daunting task of navigating an industry that often seemed impervious to outsiders. “Animation is so hard to make that usually the animated scripts that people make come from within a studio,” he mused.
What I found interesting was how Granberg reflected on his journey as an animator continuing this story and what he has discovered thus far.
“Interestingly enough, I like it because it’s only a character,” Granberg replied thoughtfully. “I think I really understand the character now more than I ever understood him… I think it’s kind of fun to go to festivals and introduce him to other people and have them like him as much as I kind of have grown to like him.”
Granberg’s journey took him to film festivals, where he shared his creation with eager audiences. But how did he choose which festivals to submit to? “I’ve gotten a lot more selective about it,” he confessed. “If I look at a film festival and it has a family program, I will enter it because it does very well with family programs… If I have a really good shot at it, I’ll enter it. If I don’t, I won’t put as much effort into it.”
For aspiring filmmakers, Granberg offered sage advice born from his own trials and triumphs. “If you want to get into animation, you have to sit down and start doing it,” he urged. “Eventually, you’ll get a skill… Every journey starts with a single step.”
As our conversation drew to a close, I couldn’t help but feel inspired by Granberg’s unwavering dedication to his craft. In a world where dreams often wither in the harsh business reality of our industry, his story serves as a reminder that with passion, perseverance, and a touch of magic, anything is possible.
Animation
The Ballad of Straw-Hat Sam
Directed by Duke Ross
Warning – This review contains spoilers.
The Ballad of Straw-Hat Sam is a wild, chaotic, and unconventional animated/live-action hybrid that follows two friends, Sam (Duke Ross) and Bucket (Victor Acosta), on a zany adventure to find the world’s best bourbon. Along the way they encounter strange characters and face bizarre obstacles that test their resolve and friendship. The film is a visual and tonal mix of absurd humor, reminiscent of shows like Adventure Time and Monty Python, with a style that embraces the nonsensical and unpredictable.
The film is self-aware deliberately embracing a chaotic narrative structure. The plot jumps from one outlandish situation to another, with Sam and Bucket crossing paths with odd creatures and situations including characters like Birdie (Jennica Anusua), Dennis (Rahul Barkley), and Bert the Sword Salesman (played by the legendary Tommy Chong). While the narrative itself doesn’t take itself seriously, the film’s freewheeling energy feels deliberate, in line with Ross’s desire to create a “love letter” to the adolescent glee he wanted to capture.
From a technical standpoint, The Ballad of Straw-Hat Sam impresses with its use of mixed media. The blend of live-action and hand-drawn animation works well, giving the film a unique style that helps maintain the chaotic tone. The cinematography in the live-action segments, though occasionally inconsistent with lighting, generally manages to keep up with the fast pace of the film. The animation is fluid, and the characters are stylized in a way that complements the absurdity of their journey. Sound-wise, while the audio quality varied between characters, the film’s energetic score and sound effects fit well with the action, enhancing the ridiculousness of Sam and Bucket’s adventure.
However, the film’s chaotic nature may not work for everyone. As much as I enjoyed the zany humor and unexpected twists, there were moments when the randomness of the plot made it difficult to follow. The narrative seems to abandon any real arc for the characters in favor of humor, which means that while the jokes land, the story itself can feel underdeveloped. The lack of focus on character development may leave some viewers disconnected from the story, as Sam and Bucket’s motivations and arcs get lost in the absurdity. That being said, if the humor is your style, there’s a lot to appreciate in the film’s comedic timing and visual gags.
Overall, the film has a lot of laugh-out-loud moments, especially with the lively dialogue between Sam and Bucket. The interactions between the duo and the bizarre characters they meet kept me entertained throughout. The comedic timing, especially during the live-action/animated transitions, was a particular highlight, and fans of raunchy, absurd comedies will likely find plenty to enjoy.
I like how the film embraces its chaotic style. The neon lighting and whimsical animation stand out, adding a visual flair that matches the film’s frenetic energy. The sound, while sometimes uneven in quality, generally enhances the quirky atmosphere, and the editing, though chaotic, is intentional and fits the overall tone of the project.
To recap, The Ballad of Straw-Hat Sam is an intentionally absurd, wild ride that mixes live-action and animation with a clear focus on humor and unpredictability. Its visual style and comedic timing make it an entertaining watch for those who appreciate nonsensical humor and unpredictable adventures. Ross’s vision of creating a chaotic but heartfelt comedy succeeds and it will likely resonate with those who enjoy experimental and offbeat films.
Animation
Teaser Trailer
Directed by JJ Gibson
Teaser Trailer is a delightfully chaotic and fast-paced cosmic horror-comedy that pokes fun at the conventions of modern action movie marketing. Directed by JJ Gibson, the animated short takes familiar tropes and genre clichés and flips them upside down to create something hilariously bizarre. From over-the-top voice acting to exaggerated visual gags, Teaser Trailer doesn’t take itself seriously for even a second—and that’s exactly the point. Gibson’s background in comedy and animation shines through as the short keeps audiences engaged with its unapologetic silliness and relentless energy.
Technically, the animation is fluid and expressive, capturing the absurdity and madness the film aims for. The transitions are smooth, and the sound design is clear, complementing the manic tone of the piece. The visual style matches the wacky, off-the-wall vibe of the film, delivering a frantic but well-executed parody of the kind of high-stakes, explosion-filled trailers we’ve become used to in the age of blockbuster cinema. Despite the rapid pacing, the short is easy to follow, and its clever satire lands effectively.
While Teaser Trailer is undeniably fun, it doesn’t break new ground in terms of its humor, relying on a few well-worn tropes that might feel a bit familiar to seasoned fans of action comedies. However, the film’s charm lies in how it embraces those clichés, playing them up to their most ridiculous extremes. Audiences who enjoy spoofs or enjoy poking fun at modern movie culture will find plenty to laugh at here.
Overall, Teaser Trailer is an entertaining ride that succeeds in making viewers laugh while offering a refreshing break from the seriousness of today’s media landscape. It’s a short, sharp burst of absurdity that doesn’t aim for depth, but instead delivers on its promise of pure, unfiltered fun.
