Directed by Laurie Powers Going

Warning – This review may contain spoilers.

Wildcat tells the story of Clara (Brenda Hattingh Peatross) a determined mother searching for answers after her husband, Sam (Johnny Chops), and daughter, Dottie (Elle Graper), mysteriously disappear. Set in early 1900s Texas during the oil boom, the film weaves themes of desperation, isolation, and the supernatural as Clara stalks the crew Sam worked with, believing them responsible for her family’s disappearance. The narrative takes a darker turn when Dottie suddenly reappears, but with something unsettling about her. Throughout a long, tension-filled night, Clara and Otis, the oil well owner (Adam Kitchen) come face to face, while a malevolent force toys with them.

The film effectively builds suspense and I found Clara’s desperation to be compelling as Peatross delivers a strong performance that carries the weight of her character’s emotional turmoil. Her portrayal of a mother driven by grief and anger anchors the film’s tension. However, the story leaves some critical gaps. There’s no clear explanation about how long Sam and Dottie have been missing or what circumstances led to their disappearance, which makes it harder to connect deeply with Clara’s quest. Dottie’s ghostly return, while eerie, lacks the necessary backstory to make her presence feel fully justified within the narrative, which diminishes the emotional impact of the film’s conclusion.

The sound design creates a tense atmosphere especially with the ominous noises that heighten the sense of dread. However, the song choice at the very end doesn’t fit with the rest of the film’s tone. The cinematography misses the opportunity to fully showcase the vast, desolate plains of Texas, which could have deepened the themes of isolation and loneliness. While the editing was uneven in sustaining the horror aspects, there are standout moments, particularly the scene where Otis throws a knife at Dottie’s ghost, a sequence that is both chilling and well-executed.

The performances were solid with Brenda Hattingh Peatross bringing a strong sense of intensity to Clara, and Adam Kitchen’s portrayal of Otis offering a grounded counterbalance to her increasingly frantic behavior. Johnny Chops brings a subtle but important layer to Sam’s backstory through flashbacks, while Elle Graper as Dottie brings an eerie, unsettling presence to her ghostly role.

Wildcat struggles to fully connect due to its lack of clear backstory and character development. The plot feels disjointed at times, and the motivations behind certain supernatural elements remain unclear. The final scene, while visually striking, doesn’t carry the emotional weight it could have if the film had done more to build the relationship between Clara, Sam, and Dottie.

Wildcat explores themes of desperation, grief, and isolation within the framework of a thriller set in the Texas oil boom. While Laurie Powers Going delivers a suspenseful short, and the cast, particularly Brenda Hattingh Peatross and Adam Kitchen, bring strong performances, the film leaves too many questions unanswered. I feel audiences seeking a slow-burn thriller may appreciate the tension. I just wanted more backstory and deeper character connections. Still, its worth a watch!

Directed by Matt O’Connor

Warning – This review may contain spoilers.

The Industry takes us on a journey with Isadora, an aspiring actress who is thrust into a world of opportunity, but at a potentially devastating cost. I couldn’t help but feel the weight of the decisions she faces, and it paints a haunting picture of the darker side of the entertainment industry. The story explores how ambition and desperation can push someone toward compromising their morals, and it left me thinking about how far someone might go to achieve their dreams.

Matt O’Connor clearly wanted to show the psychological toll that chasing fame can take, and I think he did a great job bringing that vision to life. His direction really conveys the pressure and intensity of the choices the characters are faced with. The idea that success could come with such a sinister price tag was chilling.

From the opening scenes, I was immediately drawn in by the film’s eerie atmosphere. The cinematography and lighting worked together beautifully, especially in capturing Isadora’s emotional journey. Tatum Ponce Langton’s performance as Isadora was powerful—her portrayal of the character’s inner conflict really resonated with me. The supporting cast also stood out, particularly Kristen Marie Jensen as Angela and Dennis Record as Mr. Whiteside, who both brought extra layers of tension to their scenes.

That said, the sound design didn’t work for me as well as the visuals did. The persistent wind noise felt distracting, and I didn’t think the soundtrack fully captured the emotional energy that the scenes were going for. The writing also could have gone a bit deeper to explore the characters and themes, which left some parts of the story feeling a little incomplete.

The cinematography and lighting were definite highlights, bringing a rich atmosphere to the film. Matt O’Connor’s directing choices really helped enhance the mood with some beautifully composed shots. The editing kept the film moving at a good pace, but the sound design, while effective in some moments, could have been more impactful, especially during the key emotional beats.

The Industry is a bold exploration of the sacrifices made in the pursuit of success. While it doesn’t fully flesh out some of its themes, it raises thought-provoking questions about ambition, morality, and the price of fame. It’s a film that will likely spark conversations, especially for those familiar with the darker side of the entertainment world.

Directed by Brandon Young

Warning – This review contains spoilers.

8/25/78 presents itself as a chilling piece of found footage, portraying a gruesome and unsettling home invasion. The film begins with an unassuming family going about their day, but quickly shifts into a dark and terrifying portrayal of violence, as masked intruders descend upon the home. From the start, I was drawn into the eerie silence of the film which amplified the tension. The project uses the classic found footage technique to heighten the suspense but what caught me off guard was the twist. While this unexpected element added to the shock value, it also raised unsettling questions about the dynamics at play.

The story is straightforward, showcasing a violent home invasion that slowly unfolds through old, grainy footage. The father-son dynamic, with the child taking part in the violence, is unsettling and difficult to connect with. I found myself questioning the reasoning behind the attackers’ motivations, which left some gaps in the narrative for me. Despite this, the film’s pacing is effective, building suspense as we move from the family’s peaceful moments into a nightmare scenario. The brutal nature of the event and the masked killers appearing in the background while the family remains oblivious created a palpable sense of dread. Still, the overall narrative lacked clarity in terms of why these particular characters were targeted, leaving the ending feeling more ambiguous than conclusive.

The film captures the found footage aesthetic well, but there are some areas that could have used a bit more “movie magic”. The lighting felt too dark at times, making it hard to follow certain scenes, though this fits within the genre’s typical style. The sound was patchy, often picking up camera noises, which pulled me out of the immersion. I get that this was intentional, fitting the found footage style, but it became distracting. On the positive side, the cinematography stood out, particularly during the kill scenes. The framing of the killers lurking in the background while the family remains unaware was one of the film’s most effective techniques. The editing maintained the flow of the story, and I appreciated that there were no confusing jumps, making the scenes easy to follow despite the chaotic nature of the violence.

While the film successfully captures the essence of horror and delivers suspenseful moments, I struggled with the moral implications of the story. So hey, I’m probably not a psychopath…Wahoo!  Still, fans of found footage horror will likely appreciate the film’s throwback to classic slasher themes, and the twist at the end will catch audiences by surprise.

8/25/78 is an unsettling, gruesome found footage film that effectively builds suspense and shock value through its stark portrayal of a violent home invasion. Audiences familiar with the horror and slasher genres will likely appreciate the tension and twists, though the subject matter may be unsettling for some. This should go without saying but this film is for mature audiences.